Monthly Archives: January 2014

John Robert Colombo reviews: “Georgi Ivanovitch Gurdjieff: The Man – The Teaching – His Mission”

William Patrick Patterson’s latest opus is reviewed by John Robert Colombo.


In the past I have reviewed in some detail four or more of the books written by William Patrick Patterson. The reviews have appeared on this web-blog devoted to Gurdjieff studies which is maintained by the Cambridge scholar Sophia Wellbeloved. As well, I recently reviewed the author’s last book “Adi Da Samraj – Realized and/or Deluded?” for “Parabola,” the New York quarterly publication which celebrates all the world’s spiritual traditions in words and illustration.


Mr. Patterson (hereinafter WPP) needs little or no introduction to the readers of this web-blog. He is an extremely busy man, a long-time student of the late Lord Pentland (to whom the book is co-dedicated; guess the identity of the other co-dedicatee), and one of the principals behind Arete Communications, Publishers, Fairfax, California. Since the 1990s, WPP has been the mainstay of the Gurdjieff Legacy Foundation (which arranges study groups, seminars, workshops, talks, etc.) and the Gurdjieff Studies Program (which offers correspondence courses and private instruction).

Since 1992, he has edited the triannual publication called “The Gurdjieff Journal.” (I have been a subscriber from the first issue. I find its issues informative, though lately I sense the articles have begun to reflect the editor’s general cultural and social interests rather than specific Fourth Way matters.)

WPP was born in 1937 in Pittsburgh, Pennsylvania, and has extensive experience as a writer and editor. Elsewhere he has described in detail his closeness to Lord Pentland who in 1953 was one of the founders of the Gurdjieff Foundation in New York City. WPP operates his enterprises in the busy field of the human potential movement, but he does so in that sector of it (the Fourth Way) that has been accustomed to privacy.

WPP appears to be a “one-man Gurdjieff movement” who runs a “one-stop Gurdjieff program.” His dedication, energy, knowledge, determination, and popular scholarship are not to be downplayed. Yet feelings run high in some circles that serious work in this sector takes place only in private. I have no problems appreciating his own contribution and legacy.

So much for WPP. Arete publishes serious and specialized books, so these titles seldom receive the media or even the word-of-mouth exposure that they deserve, a fate that is shared with the productions of many another dedicated publishing imprint. So my policy in reviewing such books has been two-fold: to go overboard in describing the physical appearances of Arete’s books; to go to great length to outline their contents. My assumption is that readers will never see copies of any of these books, unless they are specially ordered from specialty bookshops or mail-order services like By the Way Books or direct from the publisher’s website. (For the record I purchased my copy from the website.)

Now to “Georgi Ivanovitch Gurdjieff: The Man, The Teaching, His Mission.” I have no idea how many copies of this book have been printed, but since it is a good and useful publication, I hope the press-run is extended at least ten times! Yet the publisher has to take into account the appetite of the market. It is a very interesting book, rather like a bowl of plum-pudding: Turn the page to learn something new, or to be reminded of something old in a new way. It is a book for people who are _interested_ in the Fourth Way, not principally participants in the Work.

The book is a big volume: over 650 pages in all, probably around 350,000 words in length. It measures 6 by 9 inches and is 2 inches thick. The pages are well designed; the type is well-leaded and easy to read. It is a sturdy, bound volume with card covers and maroon-coloured end-sheets and (a classy touch!) a thin white ribbon to serve as a bookmark. There are more than ten dozen black-and-white photographs and illustrations, some new arrivals, others old standbys. The book is of good workmanship and the text is substantial and well as organized.

The copy on the dust-jacket (undoubtedly written by WPP) identifies this title as the author’s ninth book. It points out, in addition, that he has produced the award-winning video trilogy (“The Life and Significance of GIG”) and two recent videos (which I have yet to view) called “Introduction to The Fourth Way: From Selves to Individual Self to The Self” and “Spiritual Pilgrimage: Visiting Gurdjieff’s Father’s Grave.”

The only way to convey the tome’s contents is to describe its table of contents. The Acknowledgements and Foreword are routine. The bulk of the text consists of nine sections arranged chronologically. An unusual feature is one that is found in the books of Colin Wilson: each section, part, or chapter is summarized through quasi-headlines: “Candidate for the madhouse. Exoteric, mesoteric, esoteric. Saleswoman of Sunwise Turn. Dangerous distortion. Orage ostracized.” They make amusing and sometimes startling reading. This sample comes from Part VI: The Herald.

Without further comment on my part, here are the titles of the nine sections: Part I, Search for the Miraculous. Part II, Higher Dimensions. Part III, Magicians at War. Part IV, Tzvarnoharno. Part V, All and Everything. Part VI, The Herald. Part VII, The Way of the Sly Man. Part VIII, Uspenskii in America. Part IX, Strike a Big Do. The attentive reader will catch from these titles the drift of the presentation of WPP’s presentation of the by-now canonical account of how this “self-supporting” part of the Eastern Wisdom Tradition was brought to the West.

The Afterword itself is nine pages in length and offers the reader a pertinent account of WPP’s current thinking about the Fourth Way and the great role he sees it playing in the contemporary world faced with “the scientific entrancements of Technology.” (I will return to the author’s odd argument and the conclusions he draws from it at the end of this review.)

The rest of the Afterword consists of fascinating documents that the author (as editor or compiler) has turned up in his researches in university libraries’ manuscript collections. There is the longest version that I have seen of the scenario of the ballet “The Struggle of the Magicians.” This is followed by two manuscripts dated 1926 in which P.D. Ouspensky ponders the historic cleavage: “Why I Left Gurdjieff” and “The Struggle of the Magicians: Where I Diverge from Gurdjieff” (Had I world enough and time, I would delve into these matters.)

What follow are WPP’s own essays: “Gurdjieff in Egypt: The Origin of Esoteric Knowledge” and “Gurdjieff and Christianity” and “Gurdjieff, Uspenskii, Orage and Bennett” and “Personals and the Inner Animal” and “The Science of Idiotism” and “Images of God or Machines?” (These essays are reprinted from “The Gurdjieff Journal” so they will be new to that publication’s non-subscribers. They are thoughtful and based on original research, or at least on vast reading.)

There follow short essays and reminiscences by various hands on various subjects: Jessie Dwight Orage, Solita Solano, Carman Barnes, Frank Lloyd Wright, Count Bobrinskoy. These texts seem to be hitherto unpublished and of anecdotal interest, so it is nice to have them in print. The occasional pieces are followed by WPP’s Notes, thirty-four of them, ranging in length from one paragraph (Chief Feature) to three pages (Seekers of Truth). Some of the pieces are rehashes, but others (to name a few: Intelligentsia, Mercourov, Mouravieff) offer new information or formulations in a readable way.

Following the Notes is the Chronology which goes from Gurdjieff’s year of birth 1872 (by WPP’s determination) to the man’s death (at the age of only seventy-seven) in 1949. The entries here cover current events as well as developments connected with the Work (which WPP has paralleled in previous books). What struck me about the section is just how some assumptions based on slight evidence have passed into statements of fact (two instances: Gurdjieff’s “working in the employ of the thirteenth Dalai Lama” in 1902; Aleister Crowley’s visit to the Priory in 1926).

A section that is likely to be overlooked is the one called References. It is the book’s backbone for it consists of twenty-five pages of sources (almost exclusively based on 111 English-language texts). A lot of time and effort was expended on this section, largely invisible to the casual reader – to the extent that a book of this seriousness attracts the attention of “the casual reader.”

I had long wondered if anyone would ever comb through the vast literature of the Fourth Way and then quiz senior participants in order to generate a list of its leading students, thereby exhibiting the zeal shown by genealogists of the Church of Latter Day Saints who copy birth records for their retroactive rite of baptism as Mormons! WPP has done the hard work. The section titled “Gurdjieff’s Students” consists of the names of 144 men and women, with vital years, schematically arranged, beginning with Russians, then yielding to English followers, French students, and finally American activists. Some Australians are named, but no Canadians (excepting Gurdjieff’s one-time physician, Dr. Bernard Courtenay-Mayers).

The Afterword concludes with the six pages devoted to the Selected Bibliography, and with an Index that is analytic, one dozen pages in length. In a sense, I suppose, this Afterword exhausts WPP’s larder of hard-to-digest information and opinion. The Afterword is almost a book in itself, one that could be titled “Fourth Way Notes and Queries.”

Having described the beginning and the ending of this book, I find I have passed over its middle section – the nine parts mentioned earlier in this review – which runs from page 1 to page 418! Yet I have already written over 1,400 words, and I wonder how long this review should be. I will leave it to the reader’s imagination – and perhaps to part two of this review – to fill in the big blank.

In a sense the heart and core of the book is found in the nine pages of the Afterword per se. This section seems to be a summary at the present time of the author’s thoughts on Gurdjieff’ “mission” (though “Gurdjieff’s ‘work’” might be a better term to use). WPP views Gurdjieff as a teacher and hence as someone who “acts.” What is this about? “His aim was to keep students between a ‘yes’ and a ‘no,’ keep them in question, and thus not knowing, for knowing is closure.” His message is that man is born without a soul and must acquire one and then develop it along given lines. He is truly the “Teacher of Dancing” because he is “one who embodies, understands and teaches the principles and laws of consciously receiving and transmitting energy in order to coat a soul.”

More than a century ago Gurdjieff recognized an imperative (memorably formulated in slightly different words by Denis Saurat): “Unless the ‘wisdom’ of the East and the ‘energy’ of the West could be harnessed and used harmoniously, the world would be destroyed.” WPP adds, “A major shock had to be given to avert the world’s destruction – the revelation of a heretofore esoteric teaching known only by its initiates …. ” There are religions founded by Hasnamusses as well as those founded by “genuine Messengers from Above.” The sign of the true religion is “wholeness” which is to be found in “the whole sensation of myself.” There is need for a new conception of God. “Then it follows that there must be a new conception of religion.” A tall order, indeed!

We live in trying times. WPP writes, referring to rolls of camera film, with its negative images and positive prints, “We either develop the positive or die in the negative.” He continues, “This eternal truth is inborn in every World-Time, be it Hunter-Gatherer, Agrarian, Industrial, Post-Industrial, and now the Technological.” He quotes from his second-last book “Spiritual Survival in a Radically Changing World-Time” about the dangerous nature of Technology. (In his books the word Technology is capitalized.) “Technology is not us. And yet it is us. This is what makes it so difficult to understand.”

We have to relate to Technology. “The hazard of not relating to it rightly is not only to forfeit our very identity and spiritual possibility, but to open the Gates of Hell to a certain planetary destruction that will erase the human experiment.” Yet introduced into the apocalyptic vein are pints of fresh new blood. “The seminal and sacred teaching Gurdjieff brought is in essence scientific in that it is centered in continual questioning, verification, exploration, and faith of Consciousness, not belief or dogma.” He continues, “It is _the religion for our time_ so directly attuned is it to the World-Time.”

I find the phrase “World-Time” to be off-putting, and I am uncertain about its origin. It looks and sounds like a formulation from the German historian Oswald Spengler. (Perhaps Weltzeit?) Is it used by other writers than WPP?

“Only the Fourth Way can stand against the scientific entrancements of Technology, as it itself is founded in a scientific technology, albeit a sacred one, of self and soul development by inner practices based on the knowledge of chemical processes and laws. The only foundation that can adequately carry this is the awakening to and acceptance of the truth that the teaching Gurdjieff brought is an esoteric school united with its true and original Christian origin.”

I find the tone of the Afterword to be disturbing, evangelical in its strain and tenor, and while one may applaud the author’s moral fervour, it seems the argument is more rhetorical than reasonable. There are few connectives. Will all the doom and gloom be lifted by a quorum of followers of the Fourth Way? Technology presents problems but not ones that science cannot resolve. Problems should be dealt with on their own level. In this context, I find myself recalling the final, sobering sentence of Sigmund Freud’s The Future of an Illusion (1927, 1968) translated by James Strachey. The founder of psychoanalysis and the critic of the world’s cultures wrote as follows: “No, our science is no illusion. But an illusion it would be to suppose that what science cannot give us we can get elsewhere.”

According to this tome’s jacket-copy, as I mentioned earlier, this publication is WPP’s ninth book. It is also the author’s longest and most ambitious book, one that at times brings to mind James Webb’s tremendous work The Harmonious Circle. The jacket-copy goes on to say that the present volume will be WPP’s “last.” His last on Gurdjieff? On the Fourth Way? On saving the world from itself? I hope that this is not so. Say it is not true, WPP.

John Robert Colombo is a Toronto author and anthologist with a special interest in Canadiana and esotericism and wisdom traditions. He is the author, editor, compiler, or translator of over 220 books, all listed on his website < > . A book of his poems “The World of Differences” will appear in February of this year. He has compiled “The Northrop Frye Quote Book” (3,600 quotable quotes arranged by 1,100 subject headings), a decade-long undertaking, which will be published in March.


This is from the transcript of the meeting of Saturday 18 March 1989. This was a “weekend work” day. As usual, Mr Adie opened with some ideas, to provide a practical guideline for the inner work, and then there was exchanges, first at lunch and then at supper.

Breakfast Address

All we know is our fantastic unique world: we don’t know the common life. It’s a very lonely position, and one that should be terrifying to people. But it’s never one fact by itself, one fact touches another. If I find any these reality, it gives me strength. I start to see the beauty in everything, even in people’s nature, even in people who do terrible things. They’re not devoid of a sense of duty.”

Perhaps I need a few icons to get me out of this. But then, what kind of icons?”

I often think of the saying in Revelation: “Behold I come quickly, and my reward is with me, to give every man according as his work shall be.” There is an icon. It means “I am” is instantaneous according to my work and corresponding to my effort, my work.”

We can know moments of difference if we work, because here there are favourable conditions for acquiring a certain knowledge of our inner arrangements: of thought first, then of the body and then of feeling. The world is still marvelously beautiful. We’re extraordinarily lucky to have enough freedom to come here for a full day, free of the forces which oblige other people to go lower and lower.”

Certain impressions connect to something in you, and you find a higher level of being which will disappear, for we don’t know how to sustain it. The question is, how can I build in myself this finer material? How can I acquire more of it and maintains it until it crystallises into a centre of gravity? It’s a very practical work.”

Impressions are coming not only from all different directions, but also of every different density. If we could be more open to impressions, there would be a chance then of selecting the higher impressions. We cannot afford to sink down into anything. This is what is spoken of: “Free man, move on.” A free man is not a proud one, or self-obsessed. And the laws are there: ever in life and in death. So I can die and descend or die and ascend.”

Our work is very practical, the most practical thing, because it leads to the total transformation of the whole of life. I even cut the bread better, don’t misplace my glasses every time I read the paper. It comes back to the individual: each one has to be concerned with themselves and only with themselves. If one can be concerned with oneself, then one can begin to have external consideration.”

If we accept the word “work”, that makes an enormous difference. It means that we accept to construct something within ourselves, and to have sufficiently deep impressions that can nourish me a bit, perhaps until I come again. I can be changed. My ordinary I is my misconception. I was very worried in the early days, how can I be changed into something I am not? It seemed impossible. I hadn’t had the idea of two lives simultaneously. If I only see for a moment I am changing. All the time there is the possibility of change. Fish in an aquarium, changing colour all the time. Can I find the posture that produces harmonious colour, harmonious sound? This is the only body we have, so what about it? It could function better. Try and make the work immediate by the conscious receipt of more and finer impressions.”

After Lunch

The first questioner spoke of obtaining glimpse of how he lives under compulsion. Mr Adie replied: “ You don’t recognise the forces which compel you as forces. You find yourself impelled, but we think of them as reasons, considerations, everything but forces. I need to be present to my processes. I am not present to my thought, and so it operates to compel me. In the ordinary way there is no query about the process or nature of my thought. I can question individual ideas or notions, yes, but the quality of my thought?”

Mick then spoke about seeing a rather dramatic opposition in himself. “What is important to you out of that?” asked Adie. “It’s that you’re still identified with what you say. You’re not free of it: “Poor suffering Mick, undergoing this unjust torture. Not exactly fair, is it?” Life is different from what you think. If you could see, really see that you are being pushed around and compelled by forces, then you could get some perspective on what you do, or what is done through you, and you could say: “No, I don’t think that was a very good idea.”

So this afternoon, two lives at the same time. I pull the weed up, and I see what’s happening. Try and sense in yourself: is there any being impulse? Is there any immediate decision, anything you could say I to? Could you say: “I am related to this?”

Sometimes we feel heavily assailed by something difficult. If I can manage that, that is like a big lunch. I have to make a connection, but the greater the connection the greater the transformation of material. When things have gone wrong, when something has broken, make a particular intention. It’s a challenge. Even in the fact of tragic news, I can suffer, but I don’t have to be negative about it.”

When I suffer very much, it can mean that it’s something very near me. It means that essence is being touched. The very suffering can free me from my personality, or I can plunge right into and become more hopelessly lost than ever. I am tested. I must on no account be negative, though. It’s a process which I accept. I am there, the process begins, and I find I am weak. But I want to be there, with intention.”

Paul mentioned a desire to be quiet. “ To be quiet does not mean that everything unpleasant will disappear,” said Adie. “If I am present, I can be quiet in front of this trouble: I remain, I accept the annoyance, the frustration or the irritation. My quiet depends upon accepting this. We don’t seek quiet by avoiding, that is not our work.”

What you have been spoken of is subjective, subjective and real. And you have discovered that it is all contained within: it’s localised. Everything you need is there, inside. It’s not external or out yonder. So what about my posture? The mechanical goings-on diminish when I have taken a conscious posture. If I make this effort frequently enough, something will change. This sense of frustration is all of my energy pouring out. You have an occupation which makes demands on you, coming from all angles, so you have just what you need to serve you there.”

I want to be able to recognise my insecurity more quickly. I think I’m alright, but I’m really very insecure. It would help if you could remember exactly how you were: how your shoulders were, and so on, with what sort of pressure you were moving your hands, at which point your effort started to become less precise, so that this could indicate to you, warn you, on other occasions, that you’re about to put your foot into it.”

After Supper

Mr Adie added in his answer to a question I had asked, this interesting observation. It only had a point because it was not referring to me personally. “Sometimes this work is very difficult for people who are not very negative. There are people who seem not to cause much annoyance for other people. They are quiet, and they don’t take much offence, so they’re always happy. Where are their prods? I have to find material. See what it means, this non-stop possibility that is offered. It’s a very high demand but it is possible. That is why I cannot afford to disappear in front of unpleasantness. I must learn to be able to be there but not to be negative.”

In response to Gerry, who had been more present than usual, Adie said: “This morning you saw yourself taking it methodically. You didn’t plunge into the thing. You were not quite so hurried as usual. It was more steady. The unwinding allows you to operate with more control. I need to know, as much as I can, what happens. There will be little signs, if I can read them, in my body, my feeling, and they tell me that a change of state has begun. It can remind me, give me fore-knowledge. If I wish to work, the associations come with lights, and can give me an impulse to change. I see that I saw it, I thought of it as an unwinding. It means to say that I haven’t got to start the job at a breakneck speed. It means, steady boys, sort of thing. Yes. And so there is room for me, as well as the job.”

I see that in the ordinary way, when I can go, indeed I go. I am left behind. So the irritation I feel when this is starting up is to be valued, in a way, because it warns me, and if I heed the warning, I can take measures so as to avoid identification. It makes that moment of warning more critical. I shall remember it more. It’s like a turning.”

Finally, Shaun spoke about finding a state in which he could overcome fatigue. He felt that work had come alive for him. Adie replied: “It is futile to try and recapture that state, but not futile to try to reach that level again. How?”

The fatigue appears when I am not particularly enamoured of what I am to do. So if I realise that one of the warnings is fatigue, it warns me: “What is my attitude towards the job? Is it a job I wish to avoid? Maybe then I have to do it.” I tell myself that I am tired, but really it is not that, really, something in me does not want to do it. I must be careful of how I speak. As I speak, so I think. I say I am tired, but I’m not, I’m just not interested.”

From Joseph Azize: GEORGE ADIE ON “A LINE OF WORK” 10 March 1987

This is from a group meeting of Tuesday 10 March 1987. Held at Newport, both Mr and Mrs Adie were present. I shall present only a few of the questions and answers here. I hope that briefer transcripts may be easier to digest. With material like this, the information imparted is important. But so too is the impression of the operation of Adie’s reason, not just his intellect, when speaking ex tempore. In my opinion, if one can be open to the impression of how his reason worked, it lifts the level of our own. Such a transcript may even provide an imaginative inkling of what his presence could be like.


Part One: From The Meeting

At the start of the meeting, Mr Adie noticed that a young woman was looking tense. He asked: “Can’t you deal with that tension? She replied that she had been trying.


Then stop trying,” he advised. “Relax something else. If there’s tension in one part, then relax another. We have to be very practical about this relaxation, and what it means. It isn’t a question of easing one part, such as my shoulder, so much as it is finding a way into all of my sensation, and into all that my sensation is connected with. My organism has a thousand gates into my wholeness. I don’t realise that, I relax one part, and then I put a full stop there, when it could be a fresh start.”

I cannot relax any-thing without relaxing every-thing. It affects everything, my mood, my closedness, my negativity, everything. But once you have started to make the effort, even if it seems futile, continue to bring consciousness to sensation – the effort will not be wasted.”


Sally asked: “What is a line of work?”


You have to understand this for yourself: a line is a result of a point having moved. So a point is this instant. What is my immediate aim now? Surely to be present. But what is the line of my work? I have to have formulated a longer term aim and a related plan: perhaps it is to study the posture of the tongue and what that is related to within myself. It includes but isn’t limited to just this immediate second. It has to connect through these moments. I am a student, I have some study to do. That line will provide me with certain material. I set a term of a week, let us say, and the term provides a certain intensity or focus. These then are conscious, or relatively conscious conditions for work. That will give me a line of work, because the end of the term will come and I am finished, and then I cannot have that line of work quite the same.”


Mr Gurdjieff used to give an example of people coming to his apartment. Their aim was to get from where they were to his apartment. To get to it they needed a plan: they had to set out down this street and then down that street, and they had to follow the lamp posts. Each was a point in their destination. Each had to be followed in order to get to the end of the street. The points together made a line.”

The near aim is an immediate thing, while the line of work is something which endures for a week or a month or a fortnight, and to which all my immediate work relates.”


So, if my key idea is to have sensation of my tongue, all my other efforts mustn’t stop, but they can relate to that for a week, if you like.”


No line of work will bring me anything unless I remember that it is an inner work, and it is related to the circumstances of my life, to take advantage of them.”


A line is a continuity, a view forward, you see: one thing leading to another. It’s very important to understand the sequential nature of any work. There is an immediate aspect: the immediate possibility of action. And in addition there’s the continuity of the work. I may be alive in a week’s time, and if I am, I hope there will be some connection uniting my efforts. It begins to give me the idea what a line of work is. Does that begin to make it a little clearer?”


Work, if it is to be a work and not play, must have a sequential nature.”

Peggy then said that she had gone to a shopping centre she had never visited before, and could not help looking at people.


What is important at this point is to know that you are bound to: you are bound to. If you do not, you will bump into somebody. It is especially so in unfamiliar circumstances. Then, you will notice more, but wherever you are, you are always observing other people, otherwise you’d be colliding all the time. That is lawful reaction, that is the sensible, life-preserving instinctive centre. With the eye you see, you measure the distance, but your other senses are also more active, including your sense of your own organism.”


So you’re bound to be struck by new impressions, but the thing is to be present to it. You didn’t quite understand what you were in. But you bring the question and so you have advanced a step. Although you hadn’t been to that particular shopping centre, it’s always different, it’s never the same. But the unfamiliarity makes it impossible to miss that, whereas in ordinary life we’re forever in a hypnotic sleep, imagining that it’s the same as before. This is one reason our work is so interesting, it is never the same.”


Life is different from what we have been accustomed and compelled to think. There’s a tremendous obstinacy and a tremendous momentum, like a big flywheel, attaching to what we’ve thought before, and we’ve pinned our egotism to it. Were not going to give up our thoughts so easily. Although it’s mechanical it’s all we’ve ever known. Life compels us in this direction. That is why this work is said to be a way against nature.”


The thing is to understand what the Work is, the way of work, why the word “work” is used, why really, nobody in Sydney who has not tried this or something similar knows what work is at all. We seek to be less impelled, more impartial, to understand something, so that gradually these wheels which dominate us will lose their momentum, at least so far as they relate to me and my organism.”



Remember how Mr Gurdjieff would say: “Life from new begin?” This is one meaning of it, that the mistakes and blunders, the slumbers and dreams of the past have told their tale. We’ve learnt from them, and that’s it. Real work is where you can choose and decide and apply yourself to your aim – that is our work.”

We don’t understand work because we cannot taste its action: if we could taste the nature of our action it would give us an enormous amount. There are six fundamental actions, six basic triads, only six. There’s 1-2-3, 1-3-2, 2-3-1, 2-1-3, 3-1-2 and 3-2-1. We take those as names, but descriptive names which, if we could understand them, would raise us to a higher level.”



If we could only sense the nature of those actions, we would be at that higher level. Out of those six triads, one represents actions such as building a house where a plan is needed, and then the materials gathered. Every brick must be laid carefully, and mortar spread, within the correct time, otherwise, the labour is lost. Directly you stop your effort, the house stops. That’s one kind of effort. The other kind is burning a house. You light a match and place it to the fuel, and you do nothing else, without any further effort. That’s a totally different kind of triad.”


Now, what is the taste of these different actions? Some of my actions are like burning a house, and some of my actions are patient and plodding. That opens a vast field of work. Am I really doing any work, or am I just slinging things around? Am I trying to build a house with the same effort I use when I burn it? That won’t do. If I had these thoughts, and related them to the observation, I’d be so much more interested: when I like something, what triad is operating? When I dislike something else, what triad then? You see the expansion of mind involved? That’s the life of the Work. How rich! Did it strike you as rich?”




I would say there’s been quite a lot of material tonight. Try and make a note of one or two of the points, especially if they’re new, and try and build a line of work.”


Joseph Azize